Tag: New Wave

  • 1983 is the year for me

    Hey Hey,

    I’ve known for many years that the period 1978-1990 is and probably will always be my all time favourite musical era. I love the synthesisers, the electric drums, the passing notes,  the suspension chords and the obscure lyrics that made New Wave what it was. But recently I believe I’ve decided that I can place an apex on what has until now been more of a musical preference plateau.

    1983. If this is it? Please let me know. Well Huey, it is. In my opinion 1983 is ’80s New Wave at its peak. Sure, there were great ’80s songs before and after, but I think 1983 had something special about it. Here are my favourite albums from 1983 (and remember, some of these were recorded in 1982, and released in ’83, and others recorded in ’83, released in ’84. As long as one of those dates (ie. recording date, release date) has a ‘3’ in it, for the purposes of this blog entry, it’s from 1983:

    1. Huey Lewis & The News – Sports
    2. Tears for Fears – The Hurting
    3. Depeche Mode – Construction Time Again
    4. Alphaville – Forever Young
    5. Howard Jones – Human’s Lib
    6. New Order – Power, Corruption and Lies
    7. Talking Heads – Speaking in Tongues
    8. Eurthymics – Sweet Dreams (Are Made of This)
    9. Styx – Kilroy Was Here
    10. The B-52’s – Whammy

    All fantastic albums. I whole-heartedly recommend them. Unless you don’t like ’80s music, in which case I don’t even know why you’re on this website. An interesting note: 1983 occurred 4 years before I was born and I’ve only listened to these albums in their entirety within the last 5 years (actually, half of them within the last 1 year). So it’s not like they were passively the soundtrack to my life. I’ve gone quite out of my way to obtain and listen to these albums. Hypothetical question: Had I been born 10 or 15 years earlier, would I still claim that 1983 is my favourite year for music? Or would it be 1968 (which is also a good year, now that you mention it, well… now that I mention it, as I’m the one writing this)? I’m afraid the only way to find out involves a time machine and a lot of DNA, and I neither have the time nor the blood for such a crusade. I’d much rather sit at home and listen to a record, preferably something from the ’80s.

    By the way, this week I’ve learnt that Tears for Fears, Spandau Ballet and Huey Lewis & The News are all coming to Australia! I’m very quickly getting through my list of ’80s bands to see live, having seen The B-52’s just last month and Howard Jones about a year ago. I’ll probably see them in Melbourne, as my mid-February moving date is rapidly approaching. I’m actually going to Melbourne tomorrow to check out some potential places to live. Very exciting!

    Kind regards,
    David M. Green
    We all miss The News Meg, but Huey Lewis needs time to create and we all have to learn to be patient.

  • Howard Jones synth-pops into Adelaide

    Well, as no one else I knew had even heard of Howard Jones, let alone wanted to pay $70 to see him, last night I went to see Howard Jones by myself, thus proving my undying dedication to ’80s New Wave music! Conclusion: awesome. Rolling Stone Magazine didn’t name him 1986 keyboard player of the year for nothing, and by george he’s still got it. I didn’t know if he was going to hit the high notes in “Like to Get to Know You Well” and “Look Mamma” because I’d seen some recent live footage of Peter Gabriel and he’d been forced to sing “Big Time” a little more conservatively, but Howard Jones is still living the dream…

    I never thought I’d see the day when a crowd of Australians would be chanting “Howard! Howard! Howard!” again. Even funnier, Howard Jones’s full name is “John Howard Jones!” I suppose “John Jones” is a bit plain for an ’80s pop star. Advertised online was “Howard Jones plus special guests (TBA).” The special guests turned out to be Howard Jones. I’d never seen a musician open for himself before, but Howard Jones watches out for Howard Jones. He wasn’t going to leave Howard Jones hanging. So he casually walked out on stage and played some solo songs on a keyboard. It was about as acoustic as Howard Jones gets, even though it was still an electronic keyboard, but hey, I didn’t want to make a big deal of it. Then after half an hour, he went backstage, put on a tie and came out for the electro set. Outstanding!

    It’s interesting, I’d put him in the same category as Phil Collins, The Pet Shop Boys and Tears for Fears and he’s had just about as many hits as them too, but for some reason Howard Jones just isn’t as famous. But that’s fine with me, because I got to see him in a really intimate setting, with maybe around 200 other people. It was like a secret show just for us. For the record, he started the electro set with “Conditioning” (which I hadn’t actually heard before, but it’s fantastic live. I just hope the version I’m downloading now is as good!) and of course he also played his other well-knowns “Things Can Only Get Better,” “Everlasting Love,” “Life in One Day” and “No One is to Blame.” I’m sorry I can’t remember the rest. I actually only heard a couple of his albums, but the great thing about loving ’80s music is I can discover songs I’ve never heard before, and to me, it’s like it’s a brand new song (although that won’t last forever, hehe). I’ve got a couple of actual 12-inch records, including the appropriately named “The 12-Inch Album,” but I plan to build my Howard Jones collection.

    A slight side track… I’m not much of a drinker. In fact, let’s be unambiguous. I don’t drink alcohol. Never really cared for it. But anyway, that’s beside my point. I bought a glass of diet coke from The Gov. I took my wallet out, expecting it to be maybe in the range of $2.50 to $3, which although is by no means cheap, is the amount I expect to get ripped off when I purchase a beverage from a public house. $3.70! Outrageous. And no free-refill or anything. That was it. And it wasn’t even a large glass. I would estimate maybe 120mL. 150 tops. To give you a sense of scale, here’s said over-priced drink next to my antiquated Nokia 1600:

    Ridiculous… And inevitably, the concert came to a close with Howard Jones finishing the evening with “New Song,” which is, ironically, also his oldest song. Excellent synthesiser solo. Definately worth $70.

    Kind regards,
    David M. Green
    Yes. Howard Jones.

  • Ride David M. Green’s New Wave Machine!

    Due to a mix up in the Radio Adelaide scheduling department, I have been forced to fill 60 minutes of dead air from 11pm-midnight tonight on Radio Adelaide 101.5FM… So tune in for “David M. Green’s New Wave Machine.” It’s an hour of obscure ’80s New Wave music interspaced with classic David M. Green sketches and me reminding you that you’re listening to my new wave machine. Here’s the track list (hint: click on the sketches to hear them. As for the music… tune in, download it, obtain it legitimately, whatever the kids who want New Wave music are doing these days):

    David M. Green-Bot
    The B-52s – Whammy Kiss
    Did You Know #2 – World War I
    The Cars – Magic
    Alphaville – The Jet Set
    KKKMart
    Gary Numan – Down in the Park
    Naked Eyes – Fortune and Fame
    Oingo Boingo – Weird Science
    Yazoo – Situation (U.S. 12″ Remix)
    Rock ‘n’ Roll Mom
    Level 42 – Something About You
    The Human League – Love Action (I Believe in Love)
    A Very Oakley Christmas
    Devo – Baby Doll (Swedish Version)
    Goldman Tasers
    Glen Frey – The Heat is On

    And hey, if you’re going to stay up til midnight, you might as well stay tuned for On The Yacht straight after. It’s a good show to fall asleep to.

    Kind regards,
    David M. Green
    New Wave. It’s old school. Wet classrooms?