At the risk of exposing myself to green screen-related graphical editing tomfoolery… allow me to fill you in on my recent fantastic experience as a professional writer and presenter for Video Educational Australasia.

A few months ago, I auditioned at VEA as a presenter. I happen to casually mention I was also a writer. I didn’t think much of it, until several weeks later when I was offered a gig as a writer for an educational video they were making, ironically called “How will this help me get a job?” And of course I jumped on the idea.

The video is aimed at high school students and discusses several skills employers look for when they’re hiring people. I had to write several scenes demonstrating those skills, eg. communication, team work, etc. And best of all, I could be funny! So I had a great time coming up with scenes (sketches, if you will) emphasising the importance of each skill.

VEA cast three young actors to play three young people on the verge of entering the workforce. The talented Lisa Marie Shaw, Aldi Godjali and Rhys Thomas. I also wrote in a role for a presenter, which I was lucky enough to land myself.

Here we all are:

The video was shot in a day and a half. One full day for the three actors to film the scenes, and one half day for myself to film the intros and summaries for each chapter of the 20 minute video.

I stopped by VEA’s Fitzroy studio on Tuesday to experience the novelty of complete strangers reading lines I wrote and acting out scenes I created…

In case you’re colour blind, the whole thing was shot in front of a green screen. Backgrounds will be added later digitally (as it’s cheaper that filming on a real tropical island!).

Coincidentally, I happened to know the boom operator, Elliott Klein. We both worked on the pilot for Channel 31’s “Late Night Tonight” with TV’s Michael Lanzer.

Industry contacts: one of the best things, if not THE best thing, about becoming a member of RMITV student television.

This was another special moment for me, as it was the first time I’d held a boom…

Hehehe… booms are great!

Hey, remember my advice earlier this year borne from one of my uglier experiences in student television? Well let me remind you… if you ever find yourself in a similar situation, get in with the crew! It makes for a much better working atmosphere:

Someone feel free to add a beach background for that photo. Or a volcano or something. That’d be pretty cool…

So that about wrapped it up for Day 1. Unfortunately due to another VEA production, the camera was due somewhere else by 10am Wednesday. So we all got to the studio at 6AM in order to get my presenting parts recorded. 6AM!?! Jeeze…

I can’t seem to get to bed early, even if I know I have to be up before dawn. So I finally managed to get to sleep around my usual time of 1:30am. I was on three and a half hours sleep for this.

Also, they didn’t have a teleprompter for me, so I had to memorise these quite wordy spiels. And some of what I originally wrote had been altered by VEA’s advisers to ensure the educational elements were on message. This was a challenge, but by God it was fun!

Most of my presentation pieces were filmed at and around “my” desk. I’m sort of an arrogant boss-type character, laying down the employment wisdom on the young folk.

Unlike when I was a sports correspondent on Channel 31’s “Newsline”, on this occasion my wandering eye brows were permitted, even encouraged, by director Bryce McNamara!

We wrapped by about 10:45am. I went home and crashed on my bed. I fell asleep in my suit (I even still had my shoes on).

At about 5pm I woke up and got ready for my weekly quiz night down at The Peacock Hotel in Northcote. After that nap, I was surprisingly refreshed. Turned out to be a good night too.

All up, a fantastic day of working in show biz!

So look out on the VEA website for “How will this help me get a job?” Funnily enough, with the project done, I’m back to looking for work…

I’d recommend you purchase a copy. You might find a few subtle David M. Green-related references buried in the script…

Special thanks to Anoar Ahmed for giving me this incredible opportunity. And thanks to Bryce and the rest of the cast and crew. It was truly a pleasure to work with you all.

Kind regards,
David M. Green
I still can’t believe I was paid to do that!

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